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As a choreographer

Two-week solo movement research funded by the Performing Arts Fund, with funds from the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR

Starting point:

How do different floor surfaces influence my dance/ my movement quality?

How can these qualities be reproduced in the studio? (creating tasks and scores)

How can the environment "outside" be communicated to the audience "inside"?

How can I communicate the different surfaces to an audience while in motion?

How does the body become the landscape? How does sand/stone/wood/earth move and what qualities result from this?

How does the body become the landscape?

Link to the field report on the website of the Fond Darstellende Künste: (coming soon)

Quality "wood" including projection from the soundscape from the Heiliggeistkirche Heidelberg


"Earth" quality including projection and soundscape

Quality "stone" including soundscape and projection

"Sand" quality including soundscape

How can many bodies turn into many grains of sand?


How can the body transform itself into a landscape?

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